Thursday, October 15, 2009

Death of the Flowers

The Death of the Flowers

The melancholy days are come, the saddest of the year,
Of wailing winds, and naked woods, and meadows brown and sear.
Heaped in the hollows of the grove, the withered leaves lie dead;
They rustle to the eddying gust, and to the rabbit's tread;
The robin and the wren are flown, and from the shrubs the jay,
And from the wood-top calls the crow, through all the gloomy day.

Where are the flowers, the fair young flowers, that lately sprang and stood
In brighter light and softer airs, a beauteous sisterhood?
Alas! they all are in their graves, the gentle race of flowers
Are lying in their lowly beds, with the fair and good of ours.
The rain is falling where they lie, but the cold November rain,
Calls not, from out the gloomy earth, the lovely ones again.

The wind-flower and the violet, they perished long ago,
And the brier-rose and the orchis died amid the summer glow;
But on the hill the golden-rod, and the aster in the wood,
And the yellow sun-flower by the brook in autumn beauty stood,
Till fell the frost from the clear cold heaven, as falls the plague on men,
And the brightness of their smile was gone, from upland, glade, and glen.

And now, when comes the calm mild day, as still such days will come,
To call the squirrel and the bee from out their winter home;
When the sound of dropping nuts is heard, though all the trees are still,
And twinkle in the smoky light the waters of the rill,
The south wind searches for the flowers whose fragrance late he bore,
And sighs to find them in the wood and by the stream no more.

And then I think of one who in her youthful beauty died,
The fair, meek blossom that grew up and faded by my side:
In the cold moist earth we laid her, when the forest cast the leaf,
And we wept that one so lovely should have a life so brief:
Yet not unmeet it was that one, like that young friend of ours,
So gentle and so beautiful, should perish with the flowers.


-- W.C. Bryant

*********
Hi Folks,

Apologies for my extended absence, many thanks for those who made comments to existing posts while I was away and that I've just recently seen since my return to the internet (many thanks also to Sarah from Forest Grove Botanicals for the nifty award!)

I've had some personal issues which kept me from being online, one of which was recent surgery (gallbladder removal last month). While I was able to have the laproscopic form of the surgery my recovery is still somewhat slow but I wanted to make the trek up to the Witch House (my little library/office on the hill) to share this poem that has always been an especially poignant one to me at this time of year and to give a quick update about some web stuff.

My website at http://www.hedgewytchery.com is currently down. I will retain the domain name but have ceased hosting at GoDaddy at this time. GoDaddy has always been dependable and inexpensive in their services offered so it isn't because of anything they have done, I just need a break from hosting at this time. I may move some of the contents here so that folks can still access some of the material that has proven to be so popular such as the cartomancy essays but that will take some time on my part so please be patient. You can still search for older versions of the website at http://www.archive.org so if you are looking for something that you really need quickly you can find it that way. I think both Yahoo and Google keep cached pages as well that would be somewhat current.

I hope that everyone is doing well and preparing for the upcoming Hallowmas Tides. I am slowly preparing to have a few folks up here to Rocking Witch Farm for a celebratory camping adventure and am looking most forward to the activities we have planned. I'll try and post some pictures afterwards and give more information and explanation about our events.

Blessings of the Season Upon You All!

-Dawn




Friday, June 12, 2009

Henbane


Henbane
Originally uploaded by Giles C. Watson Poetry
Watson Poetry & Art from Giles' photostream (click photo for poem)

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Thursday, June 11, 2009

Bits & Bobs

Finally managed to get a few of the photos Beth took during the May Tides to share. I've had a helluva time trying to get these photos as this has been a painstakingly unsuccessful endeavor for most of the time. First off, I tried hooking her camera up to my computer while she was here celebrating with us to load the photos on my computer but my USB cord didn't fit her camera so that nixed that idea.

Then I tried swapping out her SD card for mine to load them from my camera to no avail. Next I had the brilliant idea of loading the pics from her SD card into the Wi Photos Application -- which worked great, I was able to load about thirty really good shots into the Wii. Then I realized that Nintendo hasn't provided a way to download the photos lol. I upgraded the Nintendo platform with extra SD features they now offer. Now I am able to download the entire photo module to an SD card. But once you have done that there is no way to open the program and extract the photos (or none that I have found as of yet).

Does anyone know what exactly a .BIN file is anyway? I found a few sites that offered programs to download to convert BIN files into usable files but they all came from those haxor type sites and I am very wary of downloading items from places like that as they are apt to be laden with spyware, malware, and worse. Eventually I enlisted help from my sister Yvonne when we went to Panama City a few weeks ago. I arranged a time for Beth to meet at my Mom's as Beth was loaning me a working printer so I can get rid of this broken HP dinosaur that takes up valuable real estate on my desk. She brought her camera and we took the photos off her SD card and put them on Yvonne's laptop.

Next, I used Yvonne's laptop to make a DVD disk of the pictures, I created a loverly slideshow with music to accompany about 40 wonderful photos that she took that day, she captured scenes that I hadn't and both sets together gave you a nice visual diary of the day's events. After making the DVD, I cleaned up my sister's computer as a favor, and got her comp. performing at top speed again. I also deleted the photos I had captured from Beth's SD card and took the DVD I had created home with me.

I found that my computer doesn't play DVDs....only CDs. I could play the disk I burned perfectly downstairs on the DVD player attached to my television lol but couldn't do a thing with them otherwise. I waited until I had to return to PC for a Dr's appt. and used the *recuva* program, no really, that is what it is called lol...but it worked like advertised and I was able to recapture about 10 usable pics that it salvaged from the recycle program. The picture above of May Queen Arianna, May King Dax, and Prince Wolf Aidan (he named himself *g...) and this is one of ones that she took that day that I was especially fond of.

Also, any one who had been a fan of the series of articles in Mike Howard's The Cauldron magazine by Giles Watson's entitled A Witch's Natural History you can view his many Flickr offerings, many exceptional photos with accompanying text in the form of descriptions of the items he's photographed as well as pieces of his very moving poetry.

Last but not least, this bit was shared over at the Wild Hunt.


I'll be in the fourth row, third seat across from the left ;) See you there!

Thursday, May 21, 2009

Queries Regarding Ingression by Water


I received a lovely card from a friend recently, enclosed was a picture that I found very dear and memorable of my two friends at a birthday party for one of their sons. While I do love the portrait inside, the card itself had an enchanting and entrancing image from a hot springs located in Yellowstone Park.

This pool is named the Morning Glory Pool. The pooling waters of the spring, and it's dark watery entrance, looked at once to me like images I have imagined while doing visionary work. I scanned the image from the card and changed it slightly, adding the pattern framing the pool and adding also the lock and key contained in the deepest, darkest portions of the entrance that beckon the way below.

Folklore is rife with entrances such as these, doorways to other realms that are contained within hollow hills, deep wells ringed by stones and wild roses, damp caves that wend their way deep into the ground, spiraling beneath the earth in labyrinthine patterns.

These doorways lead to the low country, to the warm country, to the land of Elphame, to the dark recesses where dwell the faerie folk, the dead and guardian spirits who would prevent your entryway or freely allow your admission provided you are deemed worthy.

If you do acquire the skills to pass these guardians and make your way to what lies beneath do you know just where to tread? Have you the charts to navigate your way among the many routes and paths? Will you follow signposts left by others who have made this trek? Here be more than dragons friends.

Will your wisdom bring you to the looms that weave both night and day, designing fate as the fabric that we are all spun from? Do you possess the key that will unlock the door that bars you from the Weaving Goddess of those threads? Will you be a member of the convocation that has humbly received her blessings?

And finally, will your sojourn leave you unscathed? Shall you bear the scars of your quest? And what shall you leave behind, what will you return with...?

*********

"Some sepulcher, remote, alone,
Against whose portal she hath thrown,
In childhood, many an idle stone—
Some tomb from out whose sounding door
She ne’er shall force an echo more,
Thrilling to think, poor child of sin!
It was the dead who groaned within. "

-- Edgar Allen Poe, The Sleeper


Wednesday, May 20, 2009

The Tenacity of Spiders


My husband and I moved up to the country here in North Western Florida close to four years ago. I am very happy and quite content in my current environment, I do not hear the scream of sirens that are the portents of bad news brought to loved ones left at home or the chatter of pedestrians as they hurry to and fro, nor do I hear the constant barrage of sounds made from the many cars coming and going that populate the highways. Most days my ears only hear the trilling of the birds, the chirp of crickets and the warnings of impending rain from the small green frogs that live under the canopy of the hickory, oak, pine and cedar trees that cover the land. On some rare days, wind is the only voice that speaks, whispering through the leaves, telling secrets from far away and long ago as each leaf trembles with the message that it bears.

We are not alone on our small plot of land that we've named Rocking Witch Farm. We enjoy the company of our two dogs, two cats, an aquarium filled with a variety of fresh water fish and a Quaker parrot whose vocabulary seems to expand daily. Recently however, I was made aware of how many others share this land with us from the rabbits that come at dusk to forage in our newly planted vegetable garden to the deer that come as dawn approaches to drink from a small fountain dedicated to Pan. In addition to the birds such as; hummingbirds, woodpeckers, bluejays, cardinals, and sparrows that come and go there are also a variety of insects. The hum of bees can be heard all summer as they dance their flight paths to the way of pollen cached in the many flowering herbs and plants. Roses, azaleas, gardenias and others provide a riotous concert of floral color all through the seasons giving them much to dance about. Along with the bees are industrious ants, marching over twig and under leaf to find the bounty of food to bring back to those left in the hills tending juveniles and attending their Queen.

There are also spiders.

While I am content to share our habitat with all of these creatures that populated this land long before we came and will continue to do so long after we are gone, I am somewhat uncomfortable sharing it with spiders. It isn't that I have an innate fear of them, I am concerned when their habitat crosses over to mine in a more intimate fashion. The photo at the top of this post is from my front porch. The web shown there was spun overnight. What a complicated and detailed creation it is. The spot was carefully chosen to take advantage of the wind that may blow a moth off path as it comes to seek the light cast from the lamp we light in the evenings. Other bugs get caught in there as well, curious ladybugs, caterpillars that will never make it to their final stage of transformation, and on occasion lovely patterned butterflies have drifted in to their unfortunate deaths by getting trapped in the tangled skein of silken threads.

My office, affectionately named the Witch House, is a separate building from our main living quarters, it is small cottage like building with a porch of it's own. This is where I house my computer, all my books, stereo and cd's, several altars and assorted collections of personal items. It has four windows, and each affords a view of differing directions. The back window looks out upon a small hill where my compass is contained. Ringed by large stones with appropriate objects located in the cardinal points, this is where my small working group and I make magic or should I say magic makes us.

In the east is a wooden tripod that holds a small cauldron that represents fire. In the south is a cairn of stones and rocks that form a small hill, this represents earth. In the west a small brass spigot offers up fresh spring water, adorned by stonework in the form of a faery in front of an oak stump, this represents water. In the north is where the stang is planted during workings, with a candle lit between the horns the smoke from this candle spirals up and outward, representing air.

Other windows offer up vistas of rolling hills, dense canopied woods, and the almost hidden path to the compass area. This provides a most relaxing atmosphere, calm and serene although at times wicked storms pass through raining hickory nuts atop the tin roof of the Witch House that sound like firecrackers exploding on the fourth of July - the power of this place is much changed then but still it is an amiable location.

Inside the Witch House are many nooks and crannies, delightful spots for a variety of spiders to make their homes. I try my best to remove them, placing them outdoors to find new homes and spin new webs in the verdant landscape available. Occasionally I have found spiders of a poisonous kind and while I understand that they are an important part in the overall scheme of life, I do not wish to share such close quarters with them. Sadly, I must admit to using chemical poisons in the form of sprays to rid myself of their company at times. More often than not though I do try and simply relocate them.

I'll relate what prompted this post as I've been busy this morning before I came online. I've been moving a trapped spider into an unused ten gallon aquarium I have. In essence, I captured a female brown recluse spider just inches away from my computer keyboard back during our May Tide festivities -- she was climbing over a tiny gargoyle stature (one of a pair) that sits in front of my desktop speakers.

Since I have such a slow healing process due to certain medical conditions I did *not* want to even put myself in the way of possibly being bit and having the deadly necrosis associated with those sorts of bites. Doug (one of my working partners) caught her for me in a small glass jug that once held herbs/worts. There was already the corpse of a male brown recluse in the jar that had been caught after being well-sprayed with a bug killing solution some months ago. I placed the jar in the dark recesses of my wort cupboard and forgot all about it.

When I went to check for something a few days ago I found her quite alive and she had spun great webs all about the jar, totally encasing the gargoyle figurine (which got placed in the jar as well) and was very active. I assumed she would have died from lack of air! Since she has such a determined spirit I could not find it in my heart to poison/kill her so I made a sort of home for her out of the aquarium (with a very tightly screened lid lol). My husband helped me negotiate the process of moving her and I was able to catch a few small moths to put in with her so she'll have something to eat as well as water placed in a small shallow shell that went in her new home with some moss and twigs.

My husband reminded me that these sorts of spiders only need to mate once and they store the sperm forever which enables them to have young whenever they wish! I hope to Gods I don't find hundreds of tiny spiders in there one day as it was not my wish to provide an incubatory atmosphere for her. Let us hope she is a virgin!

During this event I have found that while I may hold the deed or title to our small plot of land in this country landscape, my husband and I are no more the *owners* of this land than our two dogs are. We share this environment, with both the spirits of those seen and unseen, forces that are both titanic and diminutive, benefic as well as malefic. And it is our interaction and our intentions with these companions that determine whether or not our home here is filled with pleasure and joy or whether it is filled with pain and sorrow. Quite a revelation when considering that despite all I've learned spiritually over the years from my intensive studies and personal revelations I considered myself at the top of the ladder as it were - I believed I was the Mistress of all I could see. What a shock to find that I haven't even begun to see where the ladder ends above and that there are still many rungs to climb.




Monday, May 18, 2009

Alan Watts Audio Lectures


A friend recently gifted me with a plethora of audio recordings by Alan Watts (over a dozen CD's containing lectures given on subjects such as stilling the mind to the nature of consciousness) so I am likely to be offline for a day or so while I totally immerse myself in listening to the wisdom this astute philosopher offered up. I've read a few books by the late Alan Watts that someone I once knew highly recommended and did enjoy them much. I believe that I will be able to glean much more by plugging in a head set and totally focusing on the sound of his voice in the relaxing atmosphere of my darkened bedroom. I'll try and share important bits when I return but I imagine that it will take a few times of listening to totally absorb what Alan has to say and even then years to understand the total implicity of what he meant. See you 'round the Milky Way ;)

Saturday, May 16, 2009

MidSummer Meditation


Aine © Helen Reed

Meditation for Communion with Aine at Midsummer


I have adapted this meditation from a similar one utilized by R.J. Stewart in his book the Well of Light. I have also included certain synthemata specific for this seasonal celebration that has been taken from the works of Agrippa and Traditional Folkloric sources that will be observed in such things as the ingredients used in the incense to be burned, herbs used for the aromatic strewing of the area in which the meditation will take place as well as the imagery and correspondences used in the meditation itself.

It is hoped that the particular sequence and pattern of the imagery and the symbols used will reveal certain esoteric truths to those taking part in this meditation and that this event will serve as a key to subtly unlock the potential to manifest and build an active working relationship with the feminine and divine force who will be personified to us by the Irish Faery Queen Aine. To those of you who already have an active relationship with the powerful forces of Faerie it is my hope that this meditation will merely seek to enhance that already present state.

Strewing Mixture
Chamomile, St. John’s Wort, Calendula, Yarrow, Vervain, Burdock, Fern, Daisy

Incense Mixture (to be burned)
Mugwort, Rosemary, Frankincense, Bay Laurel, Copal

Aromatics (wort mixture whose scent is to be lightly crushed then breathed in deeply)
Mugwort, Yarrow, Ginger, Cloves, Rosemary

We will begin by first shaking off the day’s accumulation of stress and casting off any baneful or baleful influences we may have gathered during our normal activities. Physically shake your legs and arms several times and as you do so picture all of these detracting attachments as being released and that you are now rid off them and the scope of their influence. Close your eyes and take several deep breaths, holding each breath for a several second count before release. In this act, also visualize that what you are breathing in is a silvery colored mist and that as you hold this mist in your lungs that it collects those same detrimental effects but this time on an internal level. As you exhale, the internal detritus that we cast off with each breath now tarnishes that silvery color.

When you feel sufficiently refreshed and cleansed take a handful of the strewing herbs and gently crush them between your hands and sprinkle them around the perimeter and in the body of the compass area for the meditation. As you sprinkle the herbs give a constant thought to the idea that you are sprinkling these herbs as an invitation to the forces of Faerie and that you desire to make a pleasing place for them to come and commune with us.

Afterwards please sit either in a camp chair or on the ground and make yourself comfortable. Take off your shoes if you wish, loosen any restrictive clothing; if you want to recline instead of sit you may do so now. At this time we will make a small fire in the cauldron and add the worts listed earlier. We hope to create an otherwordly state of inbetweeness by the smoke that arises from the cauldron. As this smoke wafts over you and around you it takes you further from the world of men and machines and closer to the world of idyllic dreams and potent wishes.

Now we pass around a small pot of herbs and worts that will have been crushed to release their fragrance. When the pot is passed to you inhale the scent and aroma that comes from the mixture. As you breathe these scents in concentrate on the same idea that you had when you crushed the strewing herbs except this time the hospitable environment you want to create for the presence of the Good Folk or the Gentry is inside you instead of outside of you.

When everyone has had an opportunity to breathe deeply the scents from the pot of worts the soft trills of a flute will play to indicate that we are ready to begin our journey.


In the early hours of the afternoon you find yourself at the Crossroads, the place where four hidden ways come together in union. You now recognize and affirm the Seven Directions. You give a small, almost imperceptible nod to the East and see in the far distance there the plains that reveal tall amber and golden grasses lazily waving in the wind. Now you focus your attention on the South, where a dark round earthen hill that is host to a lone tree that is full of many pale green trembling leaves can be seen. Your attention is now captured by the sounds of the clear and pure watercourse that runs through the West, a gushing river that tumbles over roots and rocks to eventually make way to a sea that lies beyond your sight. Now you face the North and are aware of a dark and cool forest whose treetops give way to the airy heights of a mountain that is home to many unseen beings. Now we recognize and give homage to that which is Above us. And the same affirmation is now given to that which is Below. And finally, we honor that which is Within us, here at the center.

We take a deep breath and look towards the North, where the mountain awaits us. Feeling neither hunger nor thirst, we begin walking to the forested area that lies before us and we look for the edge of the path that we know will be found there, the path that will wind it’s way to the top of the mountain. Our shoes are sturdy and we do not feel the small pebbles and stones that clatter beneath our feet as we walk. The sun above us offers a warm embrace and casts a golden glow on the vista before us. A chorus of bees hums in the distance and oxeye daisies bob their heads from where they are nestled among thick clusters of ferns. Propped against a tall and empowering oak tree is an aged walking stick that has seen many a season pass it by. All the bark has been rubbed clean off in the spot where your hand would comfortably rest. The stick looks as if it was left here just for you and you pick it up firmly in your hand and make your way towards the path, ever upwards. It has a nice weight and heft and assists you with ease as you make your way up to the path.

With the aid of your walking stick you find your way to the well-worn path that is marked quite simply by a lone standing stone. The stone is taller than you are though not as slender, and persons unknown have etched tiny spirals onto the surface in many places. You pause for a moment and allow your fingers to trace the patterns of the spirals around and around. The hard stone that has stood here as a sentinel for centuries has been heated by the sun and is very warm to your touch. You aren’t sure if it is the heat radiating from the stone or the effort of tracing the spirals but your fingers tingle now and the tingling spreads up through your hand and down your arm where it eventually reaches your heart and the tingling sensation becomes stronger. With the tingling sensation still present you clasp your walking staff once again and continue on your journey. You walk on with no sensation of the time that has passed and find that you are not tired in the least and need no rest.

Clouds subdue the strength of the sun as you round a bend and come into a grove of cedar trees. Their bracing scent fills the air and a cool wind carries the scent aloft. You look behind you and can see that you have traveled quite a distance and that you have already come round halfway to your destination that awaits at the top of the mountain. The stone that marked the beginning of the path is now but a small shadow below. As you turn back to continue your trek a small brown shape darts quickly in front of you. A young rabbit has leapt across the path before you and now forages in a bed of clover as if you were not even there. As you pass by you notice he is clearly unafraid and that you can even see his pale whiskers that wriggle as he chews. Silently you wish him well and take your place once again along the path that wanders upward.

As you walk your gaze is taken to the deep forests that are seen on either side of the path before you. You can clearly see a variety of trees and as you look closely you can see the white and shining berries from the mistletoe hidden among the leaves and branches of some of the older oaks in the vicinity. Suddenly you spy what appears to be a young tow-headed boy that is wearing tawny colored garments and stands in a small meadow. You can hear the sound of the boy laughing and you wonder what it is that gives him such pleasure. As you get closer you can see that the boy has a small chaplet of colorful wildflowers woven together and he wears it as if it were a crown. With one arm the boy hugs the neck of huge peacock that has the most brilliant and iridescent feathers you have ever seen. The peacock fans his beautiful tail wide again and again and it is this gesture that amuses the boy and makes him laugh so. (trill of the flute plays here again) This moment seems to be a private one between the boy and the bird and you do not wish to intrude so you do not leave the path to join them but continue to make your ascent.

Before you know it you have climbed all the way to the crest of the mountain. The trees here offer a cool shade that is quite welcome and you find an old hollowed stump that holds a bounty of clear rainwater that looks most refreshing. Laying your walking stick aside for the moment you cup your hands to gather the delicious liquid to drink and the cool waters fill your mouth and wash away the dust and dryness that have come from your vigorous walk. After your hearty drink you splash some of the water on your cheeks and forehead and revel in the cool revitalizing effect this has.

When you look up from this task you notice a small cottage set a short distance from the crested area where the low stump was found. Your curiosity having been thoroughly piqued you once again take up your walking staff and head to where the cottage sits amid a large ash tree, an even larger oak that has a small thorn tree neatly nestled between the two. The cottage has a low thatched roof and rugged outer walls that look to have been made from local fallen timber. These outer walls have thick vines of ivy growing haphazardly about in a rambling fashion and there are small rose bushes planted all along the ground at the cottage base. These roses are bursting with tiny delicate white blooms that offer up a fragrant scent even from this distance. There is no smoke coming from the stone chimney and no lights are shining out of the smoky windowpanes yet the rustic door to the cottage is ajar and offers a silent but pleasing invitation to enter within.

You leave your walking staff propped against the wall and make your way to the door. A gentle push from your hand allows the door to open fully so you may enter with ease. When your hand touches the dark wood of the door your hand begins to tingle just as it did when you traced the patterns on the standing stone. You enter the cottage and find the ceiling covered with racks of drying herbs and flowers. The sharp scent of rosemary pierces the air, followed by the aroma of cloves, then ginger. Vibrantly hued wildflowers of purple, gold, and saffron hang in bunches tied with ribbon and raffia between bunches of angelica, chamomile, vervain and yarrow. The scents are overwhelming at first and it only takes a moment for you to be accustomed to their evocative aromas.

You see a stone hearth that is cold and dark, there is no warm fire lit there. As your eyes become used to the murky interior you see a wooden table across the room that has at the center a small copper platter that is laden with stones piled up into a small cairn. With the door to the cottage fully open now a shaft of light suddenly enters the cottage and illuminates the cairn of stones on the table. You walk closer and see many stones of various shapes and sizes. Amber, ruby, tiger’s eye, topaz and carnelian are among the ones that you can easily identify. The sunlight that has come through the open cottage door has made the stones bright and glowing and you reach out your hand to touch the stone at the top of the cairn. It is warm and radiates with a strong power. Now that the cottage is lit up within from the light without you can see that there is no one inside to meet you or to greet you.

As your gaze finds its way across the room you see a painting on the near wall to the right. This painting is of an outdoor setting that looks hauntingly familiar and has as a focal point the visage of a lovely woman with long blonde tresses who is dressed in a gown of green. In one hand she holds a small mirror and her smiling countenance is reflected back to her from its depths. Her other hand caresses the cheek of a young boy who looks very similar to the boy that you saw on your journey up to the mountaintop. The painting evokes feelings of tenderness in you and while you do not know either of the people in the painting you feel a sense of intimacy and closeness with both of them.

Now your gaze is taken away from the ornate painting and you see that there is back door to this cottage and that it too stands open, inviting you to walk past the threshold and beyond to find what waits there. Outside the cottage is a small garden plot with many of the items that you saw drying growing abundantly there. The garden plot is a riot of color and scents, as it appears that everything growing there is at the peak of its season giving off a virid sense of potency. On top of all those scents you also smell the scent of smoke, of woodfire burning. The smell of this smoke evokes memorable images from many camping endeavors you had as a child and as an adult and deeply embedded in that smell is a host of fond memories.

You follow the scent of smoke and come to a small clearing. At the center of this clearing is a roaring fire built below a tripod that holds a large and heavy cauldron. The flames constantly crackle and occasionally burning embers pop and hiss, smoke slowly spirals into the air from above the cauldron and as you look closer you see that the tendrils of smoke spiral into the same shapes as were etched into the standing stone. As you near the cauldron you become aware of a figure coming towards you. It is a woman, the most beautiful woman you have ever seen. Her face is unlined yet you can tell she is ancient figure that encompasses the past, the present and the future. Her eyes gaze back at you with a delightful sense of merriment. Her dress is of a silvery material yet when she turns to come closer to you it shifts and changes color before your eyes, in one moment golden, now silver, and now a coppery tint.

You see that the dress she wears is decorated in the same spirals that you found on the stone and that have now been borne onto the winds from the smoke above the cauldron. Yet, these spirals seem alive. They move, the spirals are forming and growing and spiraling outwards in unison, and now they appear to unwind and draw their tails inwards. They move in this way extending their arms and then drawing them into the center, hundreds of them, alternating, each with their own cadence and rhythm. You can hardly take your gaze away from this magical dress as you hear the lilting sound of this ephemeral figure laughing gently (sound of flute here). As she reaches your side she takes your hands into hers and you feel that same tingling that you felt previously. This time the tingling travels all throughout your body from the ends of your toes to the top of your head.

I am Aine and I have been waiting for you,” she says. You wonder in amazement how she could have known that you were coming to see her, how she knew that you would take the path that led to her cottage. Yet you know that she somehow knew all things, things that had happened in the past, things that were happening at this instant and things that were yet to happen. “I have a gift for you,” she says. She leads you over near the cauldron and with a long ladle she fishes something up from the depths. She plucks it out of the center of the ladle and quickly slips it to you and you then slip this item into your pocket without looking at it. Despite coming from out of the depths of the bubbling cauldron this item is only slightly warm, not hot at all, and does not burn you at all even though you can feel its warmth through your pocket. You are about to tell her thank you when she shakes her head telling you with her simple but determined action that it is not necessary to thank her for this gift.

As you walk with her you can hear the tinkling of many tiny bells. (bells tinkle here) Near the bubbling cauldron she finds a fallen oak tree that offers up a place for you both to be seated in comfort. You both sit; your one hand is still wrapped warmly in her own. She leans in closer to you; her face is only inches from your own. Her breath is warm and comforting and smells of ripe pears taken from the bough, it smells of fresh cream, of berries found by the wayside, of cinnamon and cardamom. She whispers that she has news for you, news from afar and she begins to talk to you and tell you secrets that only you shall ever know. Secrets meant for only you found in the song of birds and the chatter of squirrels. (pause for personal reflection of Aine’s message; music plays here)

After Aine speaks to you and tells you things meant only for your ears you notice that the amber shafts of sunlight that comes through the trees have lengthened and that the afternoon is languidly passing by. Aine stands with you now and she tells you that she has something that she wants you to see. You follow her as she walks past the garden plot with its many strong scented and brightly colored inhabitants, past the cauldron that still bubbles merrily, past the cords of wood neatly stacked for a fire that has not yet been lit.

You round a corner and come upon a small pond. The waters of this pond are still with hardly any movement yet occasionally a small breeze ripples the contents like an unseen hand that touches the water. The golden sunlight dances across the surface of this pond and gives the appearance of a bright and shining jewel that refracts the light from the sun. Just then a small flock of swans come through the underbrush on the far side of the pond and gracefully slide into the water. Smaller swans, children to these parents, flap their wings in an agitated manner to try and keep up with the Father and Mother who are enjoying their late afternoon revelry. Soon the entire family is slowly making their way across the pond in a long v shape with the patriarch at the forefront, the matriarch next who continue to give loving backward glances to the children making sure they are keeping up. These snowy parents are flanked by their five squabbling offspring and for some reason you think that they now resemble some unnamed constellation that have come down from the skies to take a refreshing afternoon swim. An odd thought to be sure and despite it you continue to watch their antics with great interest. You are very glad that Aine, the Faery Queen, has chosen to share this holy and sacred spot with you and your heart warms at the scene that unfolds before you.

Aine smiles at you and in that smile is a cunning and conspiratorial look. You think that you must be very lucky to have her share this moment with you. Now you both turn back to the cottage and leave the swans to their revels in private. As you get closer to the cottage you know that each step brings you closer to the awareness that you must ready yourself to leave now. Aine does not say anything about this, as no words are needed. You both know that as you walk closer to the cottage door that when you cross that threshold that it will return you to the world of Men and machines even though you would love to be able to stay in this realm of Queens and quicksilver magic. At the cottage stoop Aine stops and hugs you strongly. She gently brushes the hair back from your face and cups your chin in her hand. She is silent but her deep gaze into your eyes says all that needs to be said. You know that she is telling you in her silent way that she will be here again for you when you are ready to take the trek back up to her sacred mountain home.

Before your eyes begin to fill with tears with the sadness at your leaving you hug her back and then you step up and through the doorway. You are back into the interior of the cottage and where before it felt empty and you could discern no presence of the host, now it radiates a warm and homey feeling even though you are yet still a guest here. You cross the room and make your way through the front door of the cottage and once again take up your walking staff, as you get ready to tread your way back to the bottom of the mountain. You stop and take one more drink from the hollowed out stump and the water refreshes you just as it did earlier. Now you begin the leisurely trek back down. The sun has been a warm and constant companion all the day and now you notice that it is close to twilight and that the evening stars will soon be twinkling above you. As you retrace the steps you made earlier in the day and now in reverse you see a shadow darken the path before you. The shadow is that of a hawk that flies overheard above you. You cup your hands above your brow and look up to watch the flight of this majestic bird as it swoops down to the valley below in a swirling golden flight.

You continue on your way with your staff gently tapping out a steady rhythm as you walk. Now the sky is edged with purple and red and you see that the sun is not far from meeting the horizon below. You keep your pace as you are in no hurry; you enjoy the walk back down as much as you did the one that took you above. When you reach the spot where you saw the boy and the colorful bird they are gone. In their place you see someone who is older, this person is a man instead of a boy though he is dressed in the same sort of garb, garments of a tawny color that look soft and quite comfortable. This man has at his side a hound that sits in a regal silence. The hound sits sternly and quietly and listens to the man as he speaks in a soft manner. You wonder if he is speaking to the hound but as the man turns you see that he speaks to a coal black raven perched on his arm. He holds his arm closely in front of him and the raven sits in rapt attention, as does the hound. At some words the man says the raven cocks his head from one side to the other as if to better hear the words the man speaks. Now the raven hops from one foot to the other as if impatient to put the words the man has said into practice. Again, as with the boy and the peacock, you do not wish to intrude on this moment between the man and his companions and so you continue your journey downwards.

You walk on in a state of quiet now; the birds and bees that made such a lively concert earlier have all gone silent as they anticipate twilight’s approach and the coming of nightfall. The evening light has softened the features of the landscape and dulled the brightly shining features that you noticed earlier in the day. As you continue to walk, with your staff making a constant staccato sound as you do, you hear the soft whinny of a horse. You cannot see where this sound originates from so you try and peer through the sloping shadows of the forest before you as you walk. As you come around a turn in the path you stand as still as can be for before you, to the left side of the path, is the silhouette of a mare looming in the darkness. Even though the night’s shadows are descending you can see that this mare is a lovely reddish roan color. She appears unafraid at your impending approach and gently stamps her hooves and tosses back her mane in a gesture that indicates to you that you are not coming close quickly enough for her comfort.

You approach this huge animal that towers above you and you can feel her hot breath on your face. Her breath also smells of pears and cinnamon and you feel a pang as you suddenly miss the company of Aine, the Queen of Faeries. You gently stroke the mare’s nose and you notice that between her eyes is a small white shape that looks similar to the pattern of spirals you have seen throughout the day that were marked on stones, seen in smoke and dancing on gowns. You reach up and move to gently touch this spot and the mare neighs her approval. When you softly stroke this creamy colored area your fingers begin to tingle just as they did when you pushed open the cottage door. You spend a few moments in quiet meditation when the crackle of a nearby branch causes the horse to bolt and take off through the underbrush without you. You watch as she gallops away into the night, pleased that you and she were able to share such a rich moment. Your fingers still tingling, you tap your walking stick in front of you and continue on below.

Now you see the dark shape of the standing stone that marked the spot where you began this journey. You know that you are not far from the Crossroads and as you pass by the stone your fingers glance across its surface, feeling the spirals carved there. This time the tingling runs all through your body except this time it feels as if it is exiting through the bottom of your feet. Each step you take seems to release this tingling power back into the earth as you walk. You are a conduit, absorbing this power from it’s many sources and giving it back into the earth for the benefit of another in another time and place. As you near the tree where you found your walking staff it seems appropriate to leave it propped up there for another traveler to find and use, for another journey made another day by another seeker.

The sky is now the color of a ripe plum and the distant twinkle of stars can be seen in the distance as you near the Crossroads. You feel a warm and comforting feeling in your heart as you recount the day’s events. You saw many splendid animals, held court with none other than the Aine, the Queen of Faeries herself who had such words of wisdom to share with you. You saw many intriguing inhabitants of the forested mountain and you know that you will never forget the details of such a wonderful and marvelous adventure. As you enter the Crossroads, those Crossroads from which your travels first took form and place, you recall the gift that Aine gave to you earlier in the day, the boon from the depths of the cauldron. And as you walk to the center of the Crossroads, to the place where the four hidden ways come together, your fingers reach deep into your pocket and you feel a smile begin to crease your face as you bring out her gift to you… (flute plays here to signal the end of the meditation).



Friday, May 15, 2009

The Hyldequinde


(Mother Holda Image © F. W. Heine)

The Hyldequinde

Thomas Keightly associates the Danish Hyldequind (Elder-Woman) or Hyldemoer (Elder-Mother) with Mother Holle in his book Fairy Mythology and rightly so as there are many well known attributes that these folkloric figures share. There is an etymological connection with the name Holle itself and with the names Hel and Hölle. The connections do not stop there as this much revered and deeply respected Old Dame has tightly woven ties, one might even say threads or strands *g with a variety of other Goddess forms from different cultures. The motif of spinning and weaving installs Mother Holle as a supreme shaper of destiny and of fate.

In Germanic, Scandanavian, and Danish lore she is cognate with Frigg, Hertha (Hlodyn), Hulda, Holla, Berchta, Perchta and others. All of these various epithets denote a single Goddess, a Goddess who has connections with the land, the animals that inhabit it, and the snow, rain and sunshine that fall upon it.

Among the skills that these Goddess forms share is the art of weaving, the Old Girl as she has been called in the British Isles, has been additionally credited with teaching folks how to make linen from flax. The art of weaving and spinning is a primitive form of a method of trance induction that allowed the weaver or spinner to contact the denizens of the Spirit or Under World. The spinning of the wheel is a repetitive motion that when focused upon relaxes the mind from busy mundane chatter and allows one to enter a trance state in order to garner information from those who have passed beyond as well as have contact with resident Gods and Goddesses of the Under World realms.

Winter festivals and celebrations are connected with Mother Hulda, during the twelve days of Christmastide it was expected that all spinning and weaving would cease in honor of this patron Goddess of the Witches although some countries reversed this prohibition and expected that much flax would be spun during that time as Mother Holda would offer as many good years as there were threads on the spindle to the weaver. The weaving would nominally have been completed by the end of the celebratory period and if it was not the Dame offered many bad years as there were threads left on the spindle instead. Mother Hulda also figures prominently in the tides of Misrule that were coterminus with the tides of Christmas. She was Mistress of the Wild Hunt and in early Germanic lore cognate with the wife of Odin.

In fairy tales as recorded by the Brothers Grimm, the figure of Mother Hulda was often a beneficent one, providing protection to women, small children and animals. She often rewarded those who worked diligently and inflicted severe penalties to those who had a more indolent nature. Her gifts were often of gold coins and this also suggests perhaps a deeper alchemical meaning that lies beneath the simple fairy tales shared by candle and firelight as we know it is best to hide secrets out in plain sight for in this manner those who have the eyes to see and the ears to hear will find the deeper meaning underneath the layer of a simple child's tale.

Her abode changes according to which form she has taken, as the Elder Mother, she is said to reside under or inside the Elder Tree, as Perchta, she is said to reside in the bottom of a well. Both are synonomous with the Under World as both are considered portals or entryways into that realm. Folklore accounts often mention a person who has fallen asleep at the foot of an elder and had disturbing yet powerful visions of the Faerie World or the Under World. She is also associated with larger bodies of water, such as lakes and fountains and when in this guise she is said to drive a small wagon around offering the boon of wood chips to those local peasants who might help her repair her wagon when it had broken down. Unlike fairy money, which was said to turn to leaves, ashes and dung by the light of day, these chips would turn to gold for the sagacious members of the peasantry who had the foresight to keep them and not toss them away.

There is much to be explored in the many myths and in the history of our Dame of the Elder, and I hope this small essay may encourage you to seek out more and that by doing so you are able to discover your own connections to her. In essence, I wish for you to find the threads that when followed will lead you back to her spindle or loom and that you find what awaits you there.

Friday, May 8, 2009

From Mother Hulda to Mother's Day




Just wanted to let folks know I'll be gone for a few days, I'm off to spend a few days with my Mother for Sunday's Mother's Day celebration. Hope everyone has a magnificent weekend!

-D.

Monday, May 4, 2009

Mother Hulda


here was once a widow who had two daughters - one of whom was pretty and industrious, whilst the other was ugly and idle. But she was much fonder of the ugly and idle one, because she was her own daughter. And the other, who was a step-daughter, was obliged to do all the work, and be the Cinderella of the house. Every day the poor girl had to sit by a well, in the highway, and spin and spin till her fingers bled.

Now it happened that one day the shuttle was marked with her blood, so she dipped it in the well, to wash the mark off, but it dropped out of her hand and fell to the bottom. She began to weep, and ran to her step-mother and told her of the mishap. But she scolded her sharply, and was so merciless as to say, since you have let the shuttle fall in, you must fetch it out again.

So the girl went back to the well, and did not know what to do. And in the sorrow of her heart she jumped into the well to get the shuttle. She lost her senses. And when she awoke and came to herself again, she was in a lovely meadow where the sun was shining and many thousands of flowers were growing. Across this meadow she went, and at last came to a baker's oven full of bread, and the bread cried out, oh, take me out. Take me out. Or I shall burn. I have been baked a long time. So she went up to it, and took out all the loaves one after another with the bread-shovel. After that she went on till she came to a tree covered with apples, which called out to her, oh, shake me. Shake me. We apples are all ripe. So she shook the tree till the apples fell like rain, and went on shaking till they were all down, and when she had gathered them into a heap, she went on her way.

t last she came to a little house, out of which an old woman peeped. But she had such large teeth that the girl was frightened, and was about to run away. But the old woman called out to her, what are you afraid of, dear child. Stay with me. If you will do all the work in the house properly, you shall be the better for it. Only you must take care to make my bed well, and shake it thoroughly till the feathers fly - for then there is snow on the earth. I am Mother Hulda.

As the old woman spoke so kindly to her, the girl took courage and agreed to enter her service. She attended to everything to the satisfaction of her mistress, and always shook her bed so vigorously that the feathers flew about like snow-flakes. So she had a pleasant life with her. Never an angry word. And to eat she had boiled or roast meat every day.

She stayed some time with Mother Hulda, before she became sad. At first she did not know what was the matter with her, but found at length that it was home-sickness. Although she was many thousand times better off here than at home, still she had a longing to be there. At last she said to the old woman, I have a longing for home, and however well off I am down here, I cannot stay any longer. I must go up again to my own people.

Mother Hulda said, I am pleased that you long for your home again, and as you have served me so truly, I myself will take you up again. Thereupon she took her by the hand, and led her to a large door. The door was opened, and just as the maiden was standing beneath the doorway, a heavy shower of golden rain fell, and all the gold clung to her, so that she was completely covered over with it. You shall have that because you have been so industrious, said Mother Hulda, and at the same time she gave her back the shuttle which she had let fall into the well. Thereupon the door closed, and the maiden found herself up above upon the earth, not far from her Mother's house.

And as she went into the yard the cock was sitting on the well, and cried -

"Cock-a-doodle-doo.
Your golden girl's come back to you
."

So she went in to her Mother, and as she arrived thus covered with gold, she was well received, both by her and her sister. The girl told all that had happened to her, and as soon as the Mother heard how she had come by so much wealth, she was very
anxious to obtain the same good luck for the ugly and lazy daughter. She had to seat herself by the well and spin. And in order that her shuttle might be stained with blood, she stuck her hand into a thorn bush and pricked her finger. Then she threw her shuttle into the well, and jumped in after it.

She came, like the other, to the beautiful meadow and walked along the very same path. When she got to the oven the bread again cried, oh, take me out. Take me out. Or I shall burn. I have been baked a long time. But the lazy thing answered, as if I had any wish to make myself dirty. And on she went. Soon she came to the apple-tree, which cried, oh, shake me. Shake me. We apples are all ripe. But she answered, I like that. One of you might fall on my head, and so went on. When she came to Mother Hulda's house she was not afraid, for she had already heard of her big teeth, and she hired herself to her immediately.

The first day she forced herself to work diligently, and obeyed Mother Hulda when she told her to do anything, for she was thinking of all the gold that she would give her. But on the second day she began to be lazy, and on the third day still more so, and then she would not get up in the morning at all. Neither did she make
Mother Hulda's bed as she ought, and did not shake it so as to make the feathers fly up. Mother Hulda was soon tired of this, and gave her notice to leave. The lazy girl was willing enough to go, and thought that now the golden rain would come. Mother Hulda led her also to the great door, but while she was standing beneath it, instead of the gold a big kettleful of pitch was emptied over her. That is the reward for your service, said Mother Hulda, and shut the door.

So the lazy girl went home, but she was quite covered with pitch, and the cock on the well, as soon as he saw her, cried out -

"Cock-a-doodle-doo.
Your dirty girl's come back to you.
"

But the pitch clung fast to her, and could not be got off as long as she lived...

Sunday, May 3, 2009

Notes from Rocking Witch Farm



Here are a few photos from our May Day celebration, I'll add more as soon as I am able. Good weather, good friends, good food and a visit from the Good Folk, what more could one ask for?

Thursday, April 30, 2009

Roodmas Past


This is a slide show with a few pictures from our photo diary of a Roodmas/Beltane celebration from the past. This event took place at Falling Waters State Park and was one of the first group gatherings with members of the now defunct BAPS organization. Despite the mayhem that followed afterward re: the flying ointment, initially everyone had a most splendid time and the masks made by attendees were exceptional in design especially for some of our amateur artisans.

Monday, April 27, 2009

A Maypole's Speech to a Traveler


After the Restoration, Thomas Hall, a 17th century puritanical writer wrote "Funebriae Florae, the Downfall of May Games", that contained this choleric piece entitled "A May-Pole's Speech to a Traveler". I don't know about you, but I am quite happy to be counted among that "raskall crew" named below...

*********



A May-Pole's Speech to a Traveler

"I am Sir May-Pole, that's my name;
Men, May and Mirth give me the same.

And this hath Flora, May and Mirth,
Begun and cherished my birth.
Till time and means so favour'd mee,
That of a twig I waxt a tree:
Then all the people, less and more,
My heights and tallness did adore.

---under Heaven's cope,
There's none as I so near the Pope;
Whereof the Papists give to mee,
Next papal, second dignity
Hath holy father much adoe
When he is chosen? So have I too:
Doth he upon men's shoulders ride?
That honour doth to me betide:
There is joy at my plantation,
As is at his coronation;
Men, women, children, on an heap,
Do sing and dance, and frisk and leap;
Yea, drumms and drunkards, on a rout,
Before me make a hideous shout;
Whose loud alarum and blowing cries
Do fright the earth and pierce the skies.

Hath holy Pope his holy guard,
So have I to do it watch and ward.

For, where 'tis nois'd that I am come,
My followers summoned are by drum.
I have a mighty retinue,
The scum of all the raskall crew,
Of fidlers, pedlars, jayle-scap't slaves,
Of tinkers, turn-coats, tospot-knaves,
Of theeves and scape-thrifts many a one,
With bouncing Besse, and jolly Jone,
With idle boyes, and journey-men,
And vagrants that their country run;
Yea, Hobby-horse doth hither prance,
Maid-Marrian and the Morrice-dance.
My summons fetcheth far and near,
All that can swagger, roar and swear,
All that can dance, and drab and drink,
They run to me as to a sink.
These mee for their commander take,
And I do them my black-guard make.

I tell them 'tis a time to laugh,
To give themselves free leave to quaff,
To drink their healths upon their knee,
To mix their talk with ribaldry

Old crones, that scarce have tooth or eye,
But crooked back, and lamed thigh,
Must have a frisk, and shake their heel,
As if no stitch nor ache they feel.
I bid the servant disobey,
The childe to say his parents may.
The poorer sort, that have no coin,
I can command them to purloin.
All this, and more, I warrant good,
For 'tis to maintain the neighbourhood.

The honor of the Sabbath-day
My dancing-greens have ta'en away
Let preachers prate till they grow wood;
Where I am they can do no good."

***

May Day Verses and Ballad Offerings










Corrina's Going A-Maying

Get up, get up for shame, the blooming Morn
Upon her wings presents the god unshorn.
See how Aurora throws her fair
Fresh-quilted colours through the air;
Get up, sweet slug-a-bed, and see
The dew bespangling herb and tree.
Each flower has wept, and bow'd toward the east,
Above an hour since; yet you not drest,
Nay! not so much as out of bed?
When all the birds have matins said,
And sung their thankful hymns, 'tis sin,
Nay, profanation, to keep in,
Whenas a thousand virgins on this day
Spring, sooner than the lark, to fetch in May.

Rise; and put on your foliage, and be seen
To come forth, like the spring-time, fresh and green;
And sweet as Flora. Take no care
For jewels for your gown, or hair;
Fear not, the leaves will strew
Gems in abundance upon you;
Besides, the childhood of the day has kept,
Against you come, some orient pearls unwept;
Come and receive them while the light
Hangs on the dew-locks of the night;
And Titan on the eastern hill
Retires himself, or else stands still
Till you come forth. Wash, dress, be brief in praying;
Few beads are best when once we go a-Maying.

Come, my Corinna, come; and, coming, mark
How each field turns a street, each street a park
Made green and trimm'd with trees; see how
Devotion gives each house a bough
Or branch; each porch, each door ere this
An ark, a tabernacle is,
Made up of white-thorn, neatly interwove;
As if here were those cooler shades of love.
Can such delights be in the street
And open fields and we not see't?
Come, we'll abroad; and let's obey
The proclamation made for May,
And sin no more, as we have done, by staying;
But my Corinna, come, let's go a-Maying.

There's not a budding boy, or girl, this day,
But is got up, and gone to bring in May.
A deal of youth, ere this, is come
Back, and with white-thorn laden, home.
Some have despatch'd their cakes and cream,
Before that we have left to dream;
And some have wept, and woo'd, and plighted troth,
And chose their priest, ere we can cast off sloth;
Many a green-gown has been given;
Many a kiss, both odd and even;
Many a glance too has been sent
From out the eye, love's firmament;
Many a jest told of the keys betraying
This night, and locks pick'd, yet we're not a-Maying.

Come, let us go, while we are in our prime;
And take the harmless folly of the time.
We shall grow old apace, and die
Before we know our liberty.
Our life is short, and our days run
As fast away as does the sun;
And as a vapour, or a drop of rain,
Once lost, can ne'er be found again,
So when or you or I are made
A fable, song, or fleeting shade,
All love, all liking, all delight
Lies drown'd with us in endless night.
Then while time serves, and we are but decaying,
Come, my Corinna, come, let's go a-Maying.

- Robert Herrick

*********

Milk-maid's Life

YOU rural goddesses,
That woods and fields possess,
Assist me with your skill, that may direct my quill,
More jocundly to express,
The mirth and delight, both morning and night,
On mountain or in dale,
Of them who choose this trade to use,
And, through cold dews, do never refuse
To carry the milking-pail.

The bravest lasses gay,
Live not so merry as they;
In honest civil sort they make each other sport,
As they trudge on their way;
Come fair or foul weather, they're fearful of neither,
Their courages never quail.
In wet and dry, though winds be high,
And dark's the sky, they ne'er deny
To carry the milking-pail.

Their hearts are free from care,
They never will despair;
Whatever them befal, they bravely bear out all,
And fortune's frowns outdare.
They pleasantly sing to welcome the spring,
'Gainst heaven they never rail;
If grass well grow, their thanks they show,
And, frost or snow, they merrily go
Along with the milking-pail:

Base idleness they do scorn,
They rise very early i' th' morn,
And walk into the field, where pretty birds do yield
Brave music on every thorn.
The linnet and thrush do sing on each bush,
And the dulcet nightingale
Her note doth strain, by jocund vein,
To entertain that worthy train,
Which carry the milking-pail.

Their labour doth health preserve,
No doctor's rules they observe,
While others too nice in taking their advice,
Look always as though they would starve.
Their meat is digested, they ne'er are molested,
No sickness doth them assail;
Their time is spent in merriment,
While limbs are lent, they are content,
To carry the milking-pail.

Upon the first of May,
With garlands, fresh and gay,
With mirth and music sweet, for such a season meet,
They pass the time away.
They dance away sorrow, and all the day thorough
Their legs do never fail,
For they nimbly their feet do ply,
And bravely try the victory,
In honour o' the milking-pail.

If any think that I
Do practise flattery,
In seeking thus to raise the merry milkmaids' praise,
I'll to them thus reply:-
It is their desert inviteth my art,
To study this pleasant tale;
In their defence, whose innocence,
And providence, gets honest pence
Out of the milking-pail.

- Traditional Ballad

*********

Song on May Morning

Now the bright morning-star, Day's harbinger,
Comes dancing from the East, and leads with her
The flowery May, who from her green lap throws
The yellow cowslip and the pale primrose.
Hail, bounteous May, that dost inspire
Mirth, and youth, and warm desire!
Woods and groves are of thy dressing;
Hill and dale doth boast thy blessing.
Thus we salute thee with our early song,
And welcome thee, and wish thee long.

- John Milton

*********

Garland Song -

Rise up Maidens! fy for shame!
For I've been four lang miles from hame:
I've been gathering my garlands gay:
Rise up fair maids and take in your May!

Traditional Song from Newcastle

*********

The Rural Dance About The May-Pole

Come, lasses and lads, take leave of your dads,
And away to the may-pole hie;
For every he has got him a she,
And the minstrel's standing by;
For Willie has gotten his Jill,
And Johnny has got his Joan,
To jig it, jig it, jig it,
Jig it up and down.

'Strike up,' says Wat; 'Agreed,' says Kate,
'And I prithee, fiddler, play;'
'Content,' says Hodge, and so says Madge,
For this is a holiday.
Then every man did put
His hat off to his lass,
And every girl did curchy,
Curchy, curchy on the grass.

'Begin,' says Hall; 'Aye, aye,' says Mall,
'We'll lead up Packington's Pound;'
'No, no,' says Noll, and so says Doll,
'We'll first have Sellenger's Round.'
Then every man began
To foot it round about;
And every girl did jet it,
Jet it, jet it, in and out.

'You're out,' says Dick; ''Tis a lie,' says Nick,
'The fiddler played it false;'
''Tis true,' says Hugh, and so says Sue,
And so says nimble Alice.
The fiddler then began
To play the tune again;
And every girl did trip it, trip it,
Trip it to the men.

'Let's kiss,' says Pan, 'Content,' says Nan,
And so says every she;
'How many?' says Batt; 'Why three,' says Matt,
'For that's a maiden's fee.'
But they, instead of three,
Did give them half a score,
And they in kindness gave 'em, gave 'em,
Gave 'em as many more.

Then after an hour, they went to a bower,
And played for ale and cakes;
And kisses, too; - until they were due,
The lasses kept the stakes:
The girls did then begin
To quarrel with the men;
And bid 'em take their kisses back,
And give them their own again.

Yet there they sate, until it was late,
And tired the fiddler quite,
With singing and playing, without any paying,
From morning unto night:
They told the fiddler then,
They'd pay him for his play;
And each a two-pence, two-pence,
Gave him, and went away.

'Good night,' says Harry; 'Good night,' says Mary;
'Good night,' says Dolly to John;
'Good night,' says Sue; 'Good night,' says Hugh;
'Good night,' says every one.
Some walked, and some did run,
Some loitered on the way;
And bound themselves with love-knots, love-knots,
To meet the next holiday.

- Westminster Drollery

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The Maypole

The May-pole is up,
Now give me the cup;
I'll drink to the garlands around it;
But first unto those
Whose hands did compose
The glory of flowers that crown'd it.


A health to my girls,
Whose husbands may earls
Or lords be, granting my wishes,
And when that ye wed
To the bridal bed,
Then multiply all, like to fishes.

- Robert Herrick

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May-Day

It is the choice time of year,
For the violets now appear;
Now the rose recieves its birth;
And pretty primrose decks the earth.
The to the May-Pole come away,
For it is now a holiday.

- Washington Irving

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